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What books did you like as a child?
The classic ones that all kids today would
still recognise probably, really traditional fairy tales like
Grimm's Fairy Tales and Hans Christian Anderson, things like Red
Shoes and a book called the Snow Queen, it must be something about
the mixture of fantasy that I'm really fascinated by.
What books do you like to read now?
I read a lot of fiction by female authors and there's a Canadian
called Margaret Atwood, I like quite quirky fiction not so much
mainstream or too literary. Children's books, Roald Dahl, my own
kids like Roald Dahl a lot and I read a lot to them.
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Did you have a favourite subject at school?
I was very keen to be an artist, so I did a lot of painting in
my spare time, but English was either a close second or on a parallel
with art, I liked languages as well but didn't get on very well
with maths, science and physics.
What do you do in your spare time?
I go to the cinema a lot, ride horses, play tennis and gardening.
I also spend a lot of time at Hillsborough, watching the mighty
Owls.
What is your favourite food?
French bread.
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Do you listen to music?
I'm stuck in the past I'm afraid. I listen but I haven't got a
special taste, I like blues.
Do you have a favourite TV programme
or film?
I like a film called The Piano, it is about a woman who is dumb,
she lived a hundred years ago in New Zealand, she's been taken
out there and more or less dumped into an arranged marriage and
her only way of expressing herself is through playing the piano
and I thought it was a very powerful film, the music is great
and hugely visual film which I really loved.
What other jobs have you had?
I've been a waitress, worked in a shop, I've been a teacher, journalist
and full time childcarer.
Do you have a favourite place?
The ranch in America, Half Moon Ranch is just my idea of heaven,
it's fifteen miles down a dirt track in the mountains, nobody
there, it's perfect!
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Of your own books do you have a favourite?
That's a question kids always ask me, and I always say it's the
one I'm writing now because you're most involved with that bunch
of characters, you know them best, your mind is fully engaged
and you're having conversations with these characters. So at the
moment it would be a series of fantasy books called Dreamseeker,
I'm so involved with the research of native American Indians for
that and I
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Where do you get your ideas from?
I travel a lot, I go to the places where the story is going to
happen, so that I'm in the setting and looking at things I can
describe and meeting the people who are going to become characters
in the book. I observe people a lot. When you're writing for kids
you have to have a good memory of childhood, so memory, observation,
travel, reading, everything, there's never a moment where you're
walking through a street and don't look at somebody and say I
wonder what's going on there and store it and reuse it.
Where and when do you usually write?
I do have an office with a big sign on the door that says 'Do
Not Disturb', I need a space, like a room of one's own, a couple
of computers, I use a word processor and I would identify about
four hours a day as really creative stuff and then two or three
hours answering letters and doing editorial stuff. My most creative
bit is between eleven in the morning and three in the afternoon.
Of all the characters you've created
do you have a favourite?
For sheer good fun and enjoyability I would say it's Daisy, from
the Definitely Daisy series, just because she's a total mess and
a kid with a lot of imagination so you can set a dream world going
inside her head. She'll be in trouble in school but she's thinking
about the Salem witch trials and being tried as a witch or wanting
to chuck the headteacher into the river as if she was a witch.
So huge scope for imagination and lots of humour and it cheers
me up to write about Daisy.
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Are any of the characters in the books
based on anyone you know?
Yes. All the people who've ever been mean to me show up as the
villains. But seriously I think you've got to combine characteristics
of one person, it's more experience you work on but not the people,
I wouldn't say I've ever drawn a character based on one particular
real life figure.
The illustrations for your Definitely
Daisy series are very different from the illustrations for your
other books like the Half Moon Ranch and Home Farm Twins books.
Do you think about the illustrations when you write the books?
Yes I do. I think my way of working is quite visual so especially
for children you keep in mind the image of the book and for Half
Moon Ranch we wanted a traditional, glamorous, romantic image
and we found the appropriate illustrator in America, Paul Hunt
who is very realistic, but Definitely Daisy had to be fun and
a bit wacky and not in the least little bit serious so we were
lucky to getLauren Child on that one and the image she has created
for the
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of those books has been spot on and I've been very, very pleased
with that.
Was the Home Farm Twins Television series
how you imagined it would be?
Not exactly, the book is set in the Lake District and they filmed
it in Rickmansworth, not a lake in sight! The twins don't look
anything like the twins in the book but they are great little
actors and I think the way they shaped the twins in the TV series
was exactly how I imagined it; friendly, not stand-offish, no
ego, they came across as very natural indeed so I was very pleased
with them as characters but a bit disappointed in the setting
which was purely a financial restriction.
Where does the process of writing usually
begin?
It's not entirely creative, I talk to my publisher about what's
the next big thing so when I started they said animals because
all kids want to read about animals so you're working within that
restriction and then luckily I like learning about animals. They
sent me out to Florida to learn about dolphins which was great
because I was combining something exciting with the learning.
So it's a combination of setting a basic framework and then you
start visiting and observing. I talked to a few teachers about
the Daisy series, what's the funniest lesson you've ever taught
and so one told me about this disastrous music lesson, where the
kids were totally out of control and she described it in such
a way that I thought it would make a fabulous opening scene for
one of the Daisy books, Not Now, Nathan! So a lot of talking and
a lot of application of imagination to real life situations.
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Do you have any pets of your own?
I do, until recently I had a cat who died of old age, and had
a very happy lazy life with us, she was a rescue cat from a school
in Birmingham, the school was called Wilson Stewart and so we
named her Wilson. Again until last year I had a dog called Tess
who was a border collie, she also died but we got a new border
collie called Cassie and I have a horse called Merlin (pictured!).
I always like to have
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around the house, I find a house very empty if you go in and there's
nobody there or no animals to me it feels strangely empty, I like
the dog running to the door to great you.
What advice would you give to aspiring
authors?
Never listen to people who tell you it's too difficult because
it's easy to be put off, if you have an idea stick with it, plan
it first, make a kind of map of the story which will give it shape,
you don't have to follow the plan exactly but at least the plan
takes you through a series of points in the book and you know
you're going to come to a particular ending. So planning is important
but also letting your imagination take you where it wants to go.
Read a lot, I think reading is really important to kids who want
to become writers, and the more they read the more expert they
become themselves. Keep the imagination alive and write spontaneously
and don't write what people tell you to write.
Interview conducted
with Joseph Pike October 2001
Material © Jubilee Books 2001.
Photographs ©
Eve Oldfield |
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